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Darth Vader and Cinderella on the floor

by Ivica Anteski · June 16, 2018

There is a difference between men and women. That is true for life and that should be true for tango as well. There are some who try to blur the line and to mix up the roles, but this will fail, as the nuevo tango project failed. In the best case, those people will create something new, some new dance or cultural expression, but it will for sure not be tango.

Yes, I know, many will disagree with me and that is their right. I decided to write this post just to show some of the arguments I have for these statements.

But, lets go step by step…

I studied literature, but to be honest I never enjoyed reading novels or stories. Poetry and non-fiction was always my thing. I love condensed forms. Dense with passion and meaning.

One of the books that make impression on me lately was “The Storytelling Animal – How stories makes us human” by Jonathan Gottschall.

At this point you might already asking yourself “Why he is telling me this?” – it is because it is this book that gave me the idea that I can present some solid arguments for the ideas I write in these articles. There are concepts there that are applicable to tango as well.
Here I am going to share that with you!

The pirates and their victims

The boys are the agents of chaos and entropy. They play with battleships, starships and other engines of war. They fight loudly and “die” in heroic struggle.

On the other hand, girls play with dolls, dress up, cook or chat and drink tea.

Gottschall quotes one study carried out by Vivien Paley, an early childhood researcher. She was born back in 1929 and witnessed how standard roles of men and women changed in society. Women moved in to the work force and men took on duties at home.

Yet, she concluded, in the kindergarten the calendar was stuck in 1955. The children were precious little embodiments of gender stereotypes.

Paley, who worked in progressive university environment, hated this. Why girls were so “girly”. They played with dolls and rarely wrestled. They often told stories about magical pink hippos.

Why the boys were so “boyish”? They sprinted and shouted. They bombed the room in imaginary war. Denied of toy guns they replaced them with similar object or just used their fingers.

When they played pirates they needed what all “hard men” need most – victims… and what better victims could there be than – the girls. They often destroyed games of girls with their violent games.

“It is hard to play Cinderella when Dart Vader and his storm troupers keep crashing the ball.”, says Gottschall.

No matter how hard she tried to impose more unisex approach, she failed. At the end Paley surrendered to the reality.

“Let the boys be robbers or tough guys in space – it is natural, universal and essential way of little boys”, she concluded.

Hey, sorry to interrupt…

Do you like reading my articles? If you do please consider a small contribution to the existence of this blog.

I don’t sell a book or run ads: I share these articles for free. Unfortunately I also have to pay my bills, so if you see value in my work please consider a small donation/gratuity (the same way you tip your favorite bartender).
From my heart to yours!
Ivica

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The slow evolution

“There are reliable differences in how the boys and girls play around the world”, writes Gottschall about what the anthropologist Melvin Konner concluded in his book “Evolution of childhood”.

Dozens of studies around the world and in different cultures concluded that boys and girls spontaneously segregate themselves.
Boys engage in rough and violent behavior. Girls are more focused in fantasy and pretend parenting games. The difference is measurable as early as 17 months of life.

Boys are more vigorous and engaging in conflict, while girls are engaged in games that are connected with nurture and affiliation.
Boys neverland is filled with deadly danger – monsters, deadly animals and dark forces – boys are fighting it or fleeing.

[Tweet “Being in male or female role is not advantage, nor disadvantage.”]

Girls neverland is also filled with danger – but it is not as deadly and violent, mostly focused on domestic crisis. Compared to boys world it might seem without trouble, but this is wrong – for them it is equally dangerous.

The conclusion is that the natural evolution is slow compared to the cultural. Maybe in the culture is not expected for women to stay at home and care for the children, but the instincts are still preparing them for this role.

“The idea that the gender has deep biological roots is something that everyone accepts these days, but still avoid saying in polite company. It sound like it too much limits our human potential, especially of potential of women to move in position of equality”, says Gottschall.

It’s the biology

But let’s go further. This idea of biological difference has also medical basis.

In this moment I am reading the book “Change your brain, change your life” by the psychiatrist and brain disorder doctor Daniel Amen. What he says in his book really explains many of the behavior differences that many contribute to the culture.

He describes the limbic system of the brain. It is the system which is in large part responsible for many aspects of motivation and emotion.

It is one of the oldest part of mammalian brain that helps them to be free of the reactions of the reptilian brain and express the instincts in different way. It is because of this system we have ability to develop passion, desire and drive – it is the limbic system that adds fuel to all these abilities.

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What is interesting for us, tango people, is that the limbic system is also responsible to bonding and social connectivenes.

“The limbic system affects the bonding mechanism that enables you to connect socially with other people”, says Amen.

…and, the science has also discovered that the women have larger limbic system than men does. This gives women some advantages over men, specially in dancing tango.

“Current research has demonstrated that females, on average, have a larger deep limbic system than males. This gives females several advantages and disadvantages. Due to the larger deep limbic brain women are more in touch with their feelings, they are generally better able to express their feelings than men. They have an increased ability to bond and be connected to others (which is why women are the primary caretakers for children – there is no society on earth where men are primary caretakers for children). Females have a more acute sense of smell, which is likely to have developed from an evolutionary need for the mother to recognize her young. Having a larger deep limbic system leaves a female somewhat more susceptible to depression, especially at times of significant hormonal changes such as the onset of puberty, before menses, after the birth of a child and at menopause. Women attempt suicide three times more than men. Yet, men kill themselves three times more than women, in part, because they use more violent means of killing themselves (women tend to use overdoses with pills while men tend to either shoot or hang themselves) and men are generally less connected to others than are women. Disconnection from others increases the risk of completed suicides.”, writes Amen.

Being in male or female role is not advantage, nor disadvantage. There is no hierarchy. There is no leader, nor a follower. There is no initiator and interpreter/completer. All these are cultural constructs that just tried to blur the reality.

And the reality is…

That we are what we are and we enjoy doing what we are best equipped to. Of course, there are personal differences and we should respect them, but those exceptions could never become a norm.

The reality is that tango roles were developed to suit best women to do female role and men to do male role.

What is your opinion? Do you agree with me? I would love to hear what you think.

And also, don’t forge to share the article.

Why a man in tango is a follower?

by Ivica Anteski · August 2, 2017

If a man wants to become a good tango dancer, he has to become a follower.

“Of course, I’ve heard that learning how dance the follower’s steps can help”, you might say.

No. I’m not saying that at all. I believe that it’s not necessary for you to learn how to dance the female role to become a good dancer: my point here is that you have to be able to read the woman in your embrace and to follow the information you get from her.

I got inspired to write this post by a comment on my Facebook Page. My article “Four ways to lead better” was shared a lot, mostly by people I don’t know personally. Bellow one of the shares a guy named Daniel said this:

“The leader monitors the speed and feel of each movement. One follower might need to be led a little earlier or later to move at the right time. He monitors her balance, her musical interpretation, her level of comfort in the embrace. It’s a complex feedback loop. He is constantly adjusting his lead to her response.”

It would be great if more guys could understand how tango works as Daniel does.

I always spend a lot of time and attention to help my students learn this simple, but powerful truth. It’s such an essential part of becoming a good dancer – I would even say – of becoming a good man.

So, here’s what I think one should focus his attention:

1. Following her emotion

When I first started dancing someone more experienced told me that the embrace is always defined by the woman. She decides how close it will be…

I agree, but it goes beyond that. She defines the emotion as well. I mean, if there’s any part of tango where woman has to take the lead it is the emotion (in tango and in life).

I’m not saying that men are emotionless monkeys, but our society pays far less attention to cultivating their emotions. The Western culture, or maybe globally, is encouraging the woman to experience all her emotions, to express them and with that, to cultivate her emotional compass. This makes her emotionally more subtle and sensitive.

Of course, many man are also very subtle and sensitive, but we live in a culture where they are mostly discouraged to cultivate their emotions. This makes women more suitable to be the leaders of the emotion.

Men can express emotion, he can initiate closeness, passion, sensuality or even sexuality, but the last word is always hers. It’s her heart that paints the colors on the emotional canvas of the couple.

Being so, he must know how to follow her heart. He has to observe, feel and react to the vibrations it sends and express that in his dancing. There is no greater ecstasy for her, than feeling that he knows her heart; that he follows her emotion.

The opposite is also true: many women are seek and tired of senseless and egotistic men who care only for their dance and how they feel.

Depending on her state she might need more emotional dancing or maybe more physical. Maybe she needs wild and furious dancing or maybe passionate and slow – and this doesn’t always depend on the music.

The ultimate music he has to listen is the one created by her heart.

2. Following her timing

It’s about whom does the man dance for. If he dances for himself, he will never follow her timing. He will not wait until she finishes her movements. He will rush her into the next step even before she has finished the previous, even before she is ready to start a new one.

Many man aren’t even aware that they are doing this. They’re so preoccupied with their own musicality and their own elegance, that they forget that they have a woman in their embrace.

Ask any woman: she will tell you that these are the worst partners.

Please check – are you focused on her? Do you wait for her to finish her movements? Do you rush her? Do you care about missing the beat more than losing her heart?

On the other hand, there are dancers who follow her timing. Those are the most desired partners, no matter if they’re beginners or advanced dancers.

They monitor the speed and the feel of the movements. They predict how much energy she’ll need to complete it.

There is no universal recipe on how to do these things: every woman is different – some will need a lead little earlier, some can catch up with a late lead; some will need a lot of energy, some can feel a lead subtle as a summer breeze. When I dance with some of those who have highly sensitive reactions it feels like she can read my mind. She can sometimes feel when I can’t decide about the step in the moment, even when everything is done properly.

So, if you want to become a good leader, follow her timing. Don’t allow yourself to rush her or to predict how she’ll react.

The predictions are usually wrong – the answers are not in your brain, they are in her body!

3. Follow her musicality

Let me be honest with you, I’m not fan of dancing with a woman who likes to make a lot of adornos. I consider them bad dancers and usually avoid to dance with them.

I know it’s not popular to say this, but trust me, it feels like you’re having a conversation with someone who talks too much, without actual reason, even if she is doing them right. Silences are important as well – one doesn’t have to dance to every beat one hears.

But…

He should feel her need to express herself and give her space to do so.

It isn’t about what you want, this time it’s about what she wants.

I’m not saying you should encourage her, just that you have to make her feel good about her dancing.

Remember: your goal is to make her feel good and you’ll be awarded for this, trust me. If you know how to touch her this way, you’ll feel the emotion in the dance – she’ll be your sun shining on the cold winter morning.

Hey, sorry to interrupt…

Do you like reading my articles? If you do please consider a small contribution to the existence of this blog.

I don’t sell a book or run ads: I share these articles for free. Unfortunately I also have to pay my bills, so if you see value in my work please consider a small donation/gratuity (the same way you tip your favorite bartender).
From my heart to yours!
Ivica

Thank you button

Securely processed via PayPal

What exactly I am talking about? When she expresses her musicality this doesn’t mean that she is taking the lead, it is just using the space between your signals to interpret parts of the music she feels are unexpressed. Sometimes it means that she’ll accent some parts of the music and sometimes she’ll add some extra steps before making the step you are leading her to.

To follow her musicality means that you have to feel what she does and sometimes even adapt the whole improvised choreography to match that.

4. Following her movements

This is basic. No man can be a good dancer if he is not aware of the position of her feet.

I know, for a beginner this seems like an impossible mission, but trust me, in time you’ll start feeling it. It’s like you’re able to find the light switch in your room even in complete darkness – you don’t have to see it to know that it’s there.

One of the old milongueros once said “you know where her feet are because you placed them there”, but it goes beyond that. You’re not only ‘placing them’ there (physical action), but you’re also observing her movement (mental action).

This will prove to be one of the key skills for having control of her balance. Being able to control her balance is next level dancing – trust me.

Dance in practica with your eyes closed. Try to imagine where her feet is. I mean, literally, make a picture in your head. And, of course, give yourself time: it takes some experience.

What stops people from getting better in following their partners?

Well, mostly reasons some consider out of the scope of a tango teacher.

Some argue that those reasons are too personal, but, I would say, tango is personal as well. Tango faces us with our inner demons and weakness.

Face them in tango and you are facing them in life. Become more caring partner in tango and you are becoming a better person in life as well.

Feel, do not think your tango

by Ivica Anteski · December 5, 2016

photo by Oirad Aguls ©
photo by Oirad Aguls ©

Tango is about feeling, not about thinking. It is a dance of passion: it should be danced with a heart, not with the mind. I repeat this in many of my articles, but what it actually means? How you should start feeling, not thinking, your tango.

Read those points. Maybe not all of them will be helpful to you. If you have problem relaxing, the answer will be hidden in some of those sentences. Sometimes you have to figure out just one little detail for everything else to fall in place.

It was the last evening of a big encuentro. She was tired and I did not wanted her to lose time on bad dances, so I tried to tell her my opinion about the dancers she chooses. She just danced with a dancer who had a really good technique but she complained she did not feel good during the dance.

– I do not know why? Maybe we just do not have the chemistry, she said.

– Maybe. Or maybe he does not dances with his heart, I answered.

– But what does it means ‘to dance with his heart’. I mean, I know what is it when I feel it, but I am never able to explain to myself, she replied.

So, I tried to explain what I think about it. This post consists of the things I said to her in that conversation.

[Tweet “Tango is about feeling, not about thinking”]

In this article I am going to give you five tips on how can you dance with your heart. Everyone has a passion, without it we would not spend so much time trying to learn. And, it is unique – like the colors of the eyes. Whatever it is and however it looks like we should to tap in to it and express it during the dance. Here is how:

1. Practice until you do it without effort – The point is to make your body work without your focus. The process goes like this: you think of a cross and you do a cross, you do not think about all details how you should do it – where your left leg goes, where the right one goes, how your knees are moving, what is the position of the torso, how is the lead… all those questions are answered below the radar, below your attention, so your mind is free to focus on other stuff.

Let me give you the formula. For guys: 1) You chose a very simple step that fits your level of dancing, never be too ambitious, 2) learn it and practice it until you do it effortlessly 3) on practica try to add that to your existing repertoire of movements 4) Try to do it on milonga only when you do it without effort during the dance on practica with more than 3 partners.

This is formula that is mostly focused on the guys. For ladies the process is little more complicated. They usually need to focus on building up their technique and abilities to execute what their partner leads them to.

Check out my post about how ladies can improve their dancing

How can ladies become better dancers?

There are more exercises that can help you get to this effortless dancing which will free your mind to focus on the music and emotions. For example one of my first Argentinian teachers has thought me that the best way to get there is to have a little conversation, a small talk, when I practice. If I am able to do it – than I know how to dance that step.

2. Focus on the moment – You should learn that every step counts. There are no valuable and less valuable moments in the dance.

Oh, yes, there is – there is one moment which is most valuable in the dance – it is NOW. The moment you learn how to focus on what you do now, then you will start feeling the dance. Stop planing the next steps, forget about the past ones.

It is a kind of a meditation mindset – to focus on now. One of the magic tricks your brain learns when you dance is the value of the present moment. The dancers who learn to embrace it will achieve the higher levels of dancing. The ones who are not able to do it, will forever be stuck in the lower branches.

Feeling tango means feeling the present. You might made a mistakes during the dance. Everyone does. Thinking about them will make you continue doing mistakes in the future as well. In order to dance well you have to let it go of the past, to forgive yourself and the partner, to allow the dance continue, to let it go. People who are stuck in the past can never enjoy the present. They do not have future either.

It is important to let go of the future as well. When you think about what you are about to do; or when (for ladies) you anticipate the next moves, you are neglecting the present. This way you program yourself to make mistakes.

Being stuck in the past, being gone in the future, means that you are absent from the now-moment. No one likes to dance with the partner who is not “here”.

Hey, sorry to interrupt…

Do you like reading my articles? If you do please consider a small contribution to the existence of this blog.

I don’t sell a book or run ads: I share these articles for free. Unfortunately I also have to pay my bills, so if you see value in my work please consider a small donation/gratuity (the same way you tip your favorite bartender).
From my heart to yours!
Ivica

Thank you button

Securely processed via PayPal

3. Forget yourself – There is one very good point which I first read on “Tango and chaos”:

Jazz musicians say there are three stages to playing jazz. First, you must learn all about your instrument. Then, you must learn all about the music. And finally, you must throw it all out, and learn to play.

When you dance tango you are similar to a jazz musician: you learn everything about your steps, you learn everything about your music, you learn everything about your body and then you forget about all that and go on the dance floor and have fun.

If you think about the quality of what you do, you are analyzing, and that is thinking. If you go on the dance floor with an agenda, with a goal to learn something, you are also thinking. The only agenda and only goal should be to go out there and move with the music – do not think about how you move. Thinking is for practicas, milongas are for enjoying. Milongas are not for the brain, they are for the heart.

What should you think about? Mostly think about your partner. Remember that you do not dance for the music, nor for the people watching you – you dance for the man/woman in your arms. Second, you focus on the music. There is no better way to forget about the distractions than to focus on the music and let it lead you.

4. Get in shape – Although tango should not be considered a physical activity – it is more similar to meditation than to a sport. Being out of shape can make your moving harder, which will make you a bad dancer.

Having stronger muscles and better stamina will make your moves smoother and effortless. This alone frees up mental energy to focus more on feeling the moment. There is nothing worse for relaxed dance than trying to force your body to get in a position which is hard for the muscles.

You do not have to be athlete to dance tango, but try exercising a bit. Start simple, specially if you are out of shape. A few repetition of a simple exercise will get you to the levels where your body should be. The trick is to be persistent and do it every single day, no matter how do you feel or what condition are you in. You must make it a habit.

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5. Dress comfortable – Being overdressed is a bit of distraction. When you go to a milonga do not try to impress with your evening toilette. Dress something comfortable and easy, something which enables you to move without effort and something which makes you feel elegant. I am not much of a fashion guru, but my advice here is keep it simple.

Many people in tango are following the tradition of dressing classical or they follow the so called tango fashion. If you fell like it is for you it is perfect, but I try as much to dress simpler. Some of the pieces of the tango fashion can look classy and are really practical, but please have in mind not to overdo it. The two major points you should never forget are 1) to feel comfortable and 2) to look elegant.

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